STYLE POSSIBILITIES OF USING PHRASEOLOGICAL UNITS IN MIKAYIL AZAFLY'S POETRY

Abstract

   Folklore literature, which is a product of the poetic thinking of our people, and its special branch, love poetry, is rooted in the ancient times of history, and reflects every period of it like a mirror. Our oral art, which has been created for thousands of years, has a very full content, perfect form and a wealth of genres. Every genre of folklore literature - legends, narratives, fairy tales, epics, proverbs, lullabies, similes, rhymes and wits, rhymes and couplets, tajnis and kigilbands, diwani and mukham-masts has absorbed into the soul of our people, perfected its spiritual world, honesty, bravery. , played an important role in instilling feelings such as true love, patriotism, and humanism. Ashik creativity, which is one of the rich spiritual resources of our national literary heritage, has a past as great as the people who created it and lived it. This art has developed on the basis of the creative traditions that the nation has acquired, protected and constantly enriched for centuries, and has risen to a unique artistic peak. In these wonderful works of art, the material and spiritual world of the people is reflected, but also the beauty and richness of our mother tongue, which is our greatest national asset, its phonetic system, lexical composition, and grammatical structure are revealed with all its intricacies. Ashiq poetry, which is the most valuable component of oral folk literature, has undergone a rich development since ancient times, and also had a significant impact on the development of the written literary language. Corresponding member of ANAS, professor A. Demirchizade wrote: "We cannot ignore the fact that the oral poetry language traditions that existed long before the appearance of writing played an important role in the formation of the written literary language. Therefore, in order to understand the linguistic and stylistic features of the written literary language monuments of the early periods, it is very necessary to take into account the oral literary language background (6,73). it even provides linguistic materials based on the spoken language, dialects and dialects, which have found expression in the written literary language to a certain extent. The lexical layer, which is connected to the ancient Turkish language with the historical roots of oral folk literature and Ashiq poetry, is a source of valuable facts for studying the lexicon of the language and the intricacies related to this field. Ashiq creativity, which is the richest spiritual wealth of the Azerbaijani people, has become an object of research from time to time, and this rich treasure has been examined from various aspects. A comprehensive evaluation of the linguistic and stylistic features of Ashiq poetry performs an important function as a part of the study of Ashiq art as a whole. Also, the involvement of Ashiq creativity in the research serves to eliminate the gaps that have been allowed so far in the comprehensive study of the Azerbaijani language. Thus, both Ashiq poetry is involved in a more detailed study, and conditions are created for the formation and correct solution of scientific problems in all the main sections of linguistics in a more fundamental and scientific way. The main reason for this is that Ashiq poetry, as we mentioned, is a monument of art that preserves rich linguistic facts, and without involving these materials in research, it is impossible to conduct a comprehensive study of our language and obtain correct scientific results.