Analysis of illuminated manuscript art and integration into traditional Kazakh art

Abstract

This article analyzes and explores the images and aspects of illuminated manuscripts, their technical features, design and analysis of individual elements and depicted objects. The purpose of this work is to conduct a deep and comprehensive analysis of graphic images presented in works of medieval art in order to identify and study the elements and aspects that determined the perception of images of traditional Kazakh art. When writing a scientific article, various methods of scientific analysis were used: synthesis, analytics, comparative analysis, dialectical approach, search and selection of facts. The article examines and analyzes the elements of objects of early medieval art and their synthesis from the creativity of cultures and the possibility of their integration into modern spheres of graphic images and integration it in traditional Kazakh art replicas. This information can be used for subsequent synthesis and application in the modern graphic environment, in design development, as well as in the study of the processes of modern graphic creativity