THEORETICAL PRINCIPLES OF FRENCH ROMANCE

Abstract

In the «Oriental romanticism Victor Hugo» are regarded as the "autumn" theme in V.Gyugo 's creativity. The personality of the great French master will be analyzed in the context of the specificity of the East in the works of V. Gyugo. The main directions of French romanticism Summary Victor Hugo is the most popular writer in the world literature. The Culture of West - East has the most important position in its works. Revolutionary processes that occurred in France are described in their works. He has an exceptional role in the drama. The creativity of Victor Hugo takes a special place in the history of French romance. The name and creativity of this remarkable vocabulary master became a symbol of the triumph of the romantic movement in France in a very short time. In his face romance is primarily based on a number of specific principles. One of the most important of these is the fact that advanced writers defend the idea of identity with the objective universe and confrontation with the socios. This means that personality is, first of all, understood as the sole shelter of morality. At the same time, human beings are the center of the universe and, therefore, are considered as a unique source of change in the world of romance. Just as a result of such adherence to the principle of spirituality, it is easy to accept logical religious thought systems of romantic thought. These systems, as a rule, aspire to the realization of the principle of "world of intentionality" that is consistent with the romantic "two world" structural principle