"VICTORY" DAYS IN THE CREATIVITY OF AZERBAIJAN PAINTERS

Authors

  • Emil Raul oğlu Ağayev Teacher of the subject combination commission "Art and physical education" of the Azerbaijan State Pedagogical College under the Azerbaijan State Pedagogical University

Keywords:

Azerbaijan, Karabakh, Shusha, Zafar, fine art

Abstract

If we look at the history of the Azerbaijani people, the struggle against foreign invaders occupies an important place. Courage, the struggle for the defense of their land belongs to our people. After Azerbaijan gained its independence, our Karabakh was occupied by Armenian invaders in the 90s. For 30 years, there was no result of the negotiations. On September 27, 2020, our glorious army led by Supreme Commander-in-Chief Ilham Aliyev stood up to defend the homeland to prevent the attacks of Armenians. Having freed Karabakh from occupation within 44 days, they raised our tricolor flag in our cultural capital Shusha on November 8. The sound of victory took an important place in our fine art. In this article, Anar Huseynzade "Aghdam Mosque", Abbas Mammadov "Lower Govhar Agha Mosque", Asmar Narimanbeyova "Shusha", Nigar Helmi "Khudaveng Monastery. Kalbajar", Ulkar Abulfat "Karabakh horse, in the footsteps of the Karabakh carpet", "Victory carpet" analyzed in the context of art criticism.

Published

2022-11-05

How to Cite

Emil Raul oğlu Ağayev. (2022). "VICTORY" DAYS IN THE CREATIVITY OF AZERBAIJAN PAINTERS. Scientific Research and Experimental Development, (1). Retrieved from https://ojs.publisher.agency/index.php/SRED/article/view/200