Energy in Theatrical Practice: Metaphysical Aspects, Anticipatory Thinking, and Techniques for Managing Stage Presence

Authors

  • Kassym Moldir Master’s student, Temirbek Zhurgenov Kazakh National Academy of Arts (Kazakhstan, Almaty)

Abstract

Energy in Theatrical Practice: Metaphysical Aspects, Anticipatory Thinking, and Techniques for Managing Stage Presence.

Energy in theatrical work represents a multifaceted phenomenon encompassing physical, emotional, and spiritual dimensions. In the theatrical context, energy can be defined as an inherent force expressed through the movement, voice, facial expressions, and physicality of performers. This energy directly influences the audience’s perception of the performance, conveying both the moods and the personalities of the characters.

On a physical level, the energy of an actor is tied to bodily expressiveness, enabling them to remain active and purposeful throughout the performance. Emotional energy serves as a powerful tool for conveying feelings and establishing a psychological connection with the audience. Actors use it to highlight key scenes and reveal the inner world of their characters. The spiritual aspect of energy can be interpreted as an internal force aimed at creating an atmosphere that fosters a sense of depth and significance in the production for the audience. Thus, energy in theater can be viewed as a collective force of the stage, shaping the emotional impact of the theatrical work.

Published

2024-11-25

How to Cite

Kassym Moldir. (2024). Energy in Theatrical Practice: Metaphysical Aspects, Anticipatory Thinking, and Techniques for Managing Stage Presence. Scientific Research and Experimental Development, (8). Retrieved from https://ojs.publisher.agency/index.php/SRED/article/view/4699